Watch Shrieve’s Woodstock drum solo, beginning at around the 3:05 mark. Related: Joni Mitchell’s “Woodstock”: Behind the Song. And it wasn’t like Shrieve was a master of Latin rhythm. “I had a book that I did some practicing out of, a very basic Latin rhythm book by a man named Ted Reed,” he says.

Shrieve playing in 2016 with (not shown)Shrieve's first full-time band was called Glass Menagerie, followed by experience in the house band of an R&B club, backing touring musicians including. At 16, Shrieve played in a at the, where he attracted the attention of 's manager, Stan Marcum. When he was 19, Shrieve jammed with Santana at a recording studio and was invited to join that day.On August 16, 1969, Santana played the Woodstock Festival, shortly after Shrieve's twentieth birthday, but before the release of their (1969). He remained with Santana for (1970), (1971), (1972), (1973), (1974) and the live (1974). He co-wrote four of the tracks on Caravanserai, as well as co-produced the album.Shrieve left the original Santana band to pursue solo projects. Battlebots youtube. He moved to London, England to record the 1976 album Automatic Man with guitarist, bass guitarist Doni Harvey and keyboardist (billed as Bayete). While in London Shrieve was part of the fusion supergroup with, and, releasing two studio albums (1976) and (1977) and the live album (1976).He played in the band (with, and ).

Later, he played drums on (former member) 's first solo album,.From 1979 to 1984, Shrieve collaborated as a percussionist in, a of (another drummer turned electronic composer) while recording with Schulze his own first 'solo' album of electronic music, Transfer Station Blue, in 1984. Shrieve was also credited for playing percussion on the 1980 album by and in 1984, he played on 's album. When Jagger, and Shrieve were mixing the album at in New York City, invited Shrieve for a recording session downstairs. This recording remains unreleased.In 1997, Shrieve joined former Santana musicians, and to record.Shrieve has also collaborated with David Beal, and others.

He has served as a session player on albums. In 2004, Michael appeared on the track 'The Modern Divide' on the album Increase the Dosage. The album was released under a Creative Commons license.As of April 2010, Shrieve lives in Seattle, Washington, where he plays in a fusion jazz group, Spellbinder, with Danny Godinez, Joe Doria, Raymond Larsen, and Farko Dosumov.Shrieve has composed music for several films, most notably 's. Honors In 1998 Shrieve was inducted into the for his work with.In March 2011, Rolling Stone Magazine Readers picked The Best Drummers of All Time: Shrieve ranked #10.

BackStage Pass features live studio and festival performances, with a look behind the scenes as artists reveal the inspiration behind the music. Backstage pass series. One More Night (Backstage Pass #1), One More Night #2 (Backstage Pass #2), and One More Night #3 (Backstage Pass #3) Home; My Books. Backstage Pass Series. 3 primary works. 3 total works. One More Night. By Ali Parker. 4.28 305 Ratings 106 Reviews published 2018 3 editions. Backstage Pass Series. Aimee and the Heartthrob. By Ophelia London. Shelve Aimee and the Heartthrob. Mia and the Bad Boy. By Lisa Burstein. Shelve Mia and the Bad Boy. Daisy and the Front Man. By Rebekah L. Stars Collide (Backstage Pass, #1), Hello, Hollywood! (Backstage Pass, #2), and The Director. Backstage Pass Series. 3 primary works. 3 total works. Stars Collide. By Janice Thompson. Galveston Weddings 12 primary works. 12 total works. Weddings by Bella. Backstage Pass. Get a closer, more personal look at artists as mtvU breaks down the wall between artists and college students. When mtvU goes backstage with your favorite artist, you get to ask the questions you've been dying to have answered.

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