Megabyte punch parts. Lumberjack Jacque and the Ritual of Doom, a short, charming adventure game made for the Global Game Jam 2016, has you trying to help a nearby village which has become haunted by a demon.

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You are a lumberjack who lives out deep in the forest near a village. You live far away so that you can chop down trees and live your life. One dark night, a distressed villager came to your home, hurt and talking about some sort of sacrifice. You decide to go investigate the nearby town to see what this man is talking about.

After going through the forest, you find that there are some weird demon wolves wondering about. Thankfully, you brought your trusty axe to keep them back. Once you make it to the village, you start to see the weird happenings that have taken place. Many of the villagers have left their home; the local Inn is nearly deserted. Others are hiding or rambling on about a ritual. You need to collect items and solve puzzles get to the bottom of all this weirdness. There may be more at play here than a demon…

's film debut. An open casting call was put out to all the elementary schools to find a young Asian actor to play Short Round. Quan arrived with his brother, not to audition, but merely to provide moral support. He caught the casting director's attention because he spent the entire time of his brother's audition telling him what to do and what not to do.

Liked his personality, so he and improvised the scene where Short Round accuses Indy of cheating during a card game. Kwan won the role over about six thousand other auditions.

Suffered a herniated disc in his back in the scene where he is attacked in his bedroom by a Thuggee assassin, causing production to be shut down while Ford was flown to Los Angeles for spinal surgery. A large portion of Ford's work in the fights and chases in the 'Temple of Doom' is actually performed by stuntman.

Normally, special care needs to be taken to hide a stuntman's face from the camera, but this proved to be largely unnecessary since Armstrong bore an uncanny resemblance to Ford at the time, both in face and body dimensions. 's dress in the Shanghai club was completely made of 1920's and 1930's original beads. This meant that there was only enough to make one dress.

The opening dance number was actually the last scene to be shot, but the dress did feature in some earlier location shots in Sri Lanka, in particular, a nighttime one with and sitting by a campfire, with the dress drying on a nearby tree. Unfortunately, an elephant had started to eat the entire back of the dress, which was saved just in time. Consequently, some emergency repair work had to be done with what remained of the original beads, and it was costume designer who had to fill out the insurance forms.

As to the reason for damage, he had no option but to put 'dress eaten by elephant'. In the 'Making Of' Documentary for this movie, said that although he originally intended for Temple of Doom to have a darker tone compared to (1981) (much like (1980) was darker than (1977)), he admitted that he made it much darker than he intended, part of the reason being that both he and were going through a break-up at the time, and he was 'not in a good mood'. Spielberg also admitted that although he agreed with Lucas' idea for a darker-toned film, he felt uncomfortable with certain scenes while filming them, and would attempt to inject some humorous elements into those scenes trying to lighten them up. The scene where Indy is fighting the Thuggee chief guard with a hammer, and the guard takes the hammer away and tosses it aside, only to have it land on a bystander's head, knocking him out with a comical thud, is a prime example of this scene 'lightening up'. Said in 1989, 'I wasn't happy with Temple of Doom at all.

It was too dark, too subterranean, and much too horrific. I thought it out-poltered (1982). There's not an ounce of my own personal feeling in Temple of Doom.' He later added during the Making of Indiana Jones and the Temple of Doom documentary, 'Temple of Doom is my least favorite of the trilogy. I look back and I say, 'Well the greatest thing that I got out of that was I met. We married years later, and that to me was the reason I was fated to make Temple of Doom.'

The only installment of the Indiana Jones franchise in which Indy does not make physical contact with a snake. There is, however, a nod to his fear of them, and to a scene from (1981). After he retrieves the Sankara stones from the Kali shrine, he looks up at a statue of a cobra poised to strike (like the one he famously faced in the Well of Souls scene in 'Raiders') and straightens his hat. In the campfire scene, Willie mistakes a snake for an elephant trunk. While she grabs it and tosses it aside in annoyance, Indy is visibly disturbed by the snake's presence. Director of (1978), provided the voices of the two Chinese pilots for the biplane scene. Sound designer had Fosselius record a gag line as a prank on.

During a screening which Fosselius attended, Spielberg was surprised and bemused when, at the ending, Indiana Jones delivers the stone to the Shaman who then exclaimed 'Wait a minute! You brought back the wrong stone!'

Spielberg leapt to his feet and demanded an explanation, which made Fosselius very fearful until it was explained to be a joke. Spielberg began to laugh and the incident ended happily.

Many fans have been expressing thoughts regarding Indiana Jones and friends' choice to go back into the mines instead of leaving through Pankot Palace with the rest of the escaped captives. An explanatory scene to this question was shot showing Indiana and Willie helping the freed children to cross the lava pit through a makeshift bridge. When the time came for Short Round to cross the pit, the bridge had caught fire under the intense heat, and Indiana and Willie managed to save him in the nick of time from falling in the lava pit. With the bridge crumbled, the trio had to find another way out, and that was through the mines.

As with the above scenes, the most logical explanation for this cut seems to be the pace, and not the film's running time, since it ended up at one hour and fifty-three minutes. Even the addition of all of the scenes mentioned in this writing, would never push the film over the two hour barrier.

In the United Kingdom, the film was almost given the 18 certificate due to the sacrificial sequence in the movie. To prevent the film from given the 15 certificate instead, the BBFC heavily cut the sequence to give it the final PG certificate: Among the cuts made were a sacrificial victim's heart being ripped from his body and being lowered into the pit. A whipping sequence and the removal of a man hitting his head on the side of a cliff. In 2012, the cuts were reinstated for the 2012 Blu-ray release which the film was given the 12 certificate. The scene with the broken bridge proved a challenge, since they couldn't use stuntmen for the dangerously long drop. This was solved by making fourteen dummies to stand in for the Thugee guards. They contained a mechanism and batteries inside them which could operate their leg and arm movements.

The dummies were fastened to the bridge, with the mechanism rigged to start working as soon as they were released from the bridge ropes. This made the dummies look like they are really kicking and flailing as soon as the bridge is cut.